Os Sapatinhos Vermelhos
Red Shoes
Inglaterra, 1948
Dir.: Michael Powell e Emeric Pressburger
"Ultimately, it is Powell's cinematic preoccupation with his (re)presentations of Moira Shearer as ballerina, daughter, dutiful and loving wife, that fascinates and haunts me. Repeatedly moulding her under various points of view, these sublime yet troubling moments abound throughout the film and are all the more exquisite because they also speak of her imminent doom. Today, The Red Shoes remains not just a visually stunning and complex film about art, ambition and libidinous desires, it is also intoxicating as a disturbing exploration, from a man's point-of-view, of what it might mean to be a “modern” woman, trapped between a lifetime of individualistic career ambitions and the desire for a contented home-life as a wife and mother." Karli Lukas
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